Getting the Right Color for Comedy in 21 Jump Street
Apr 24, 2012
21 Jump Street may be a comedy, but it doesn’t look like one. On the contrary, much of the...
Colorist Lou Levinson on Restoring (and, Sometimes, Re-Thinking) Movies with the Baselight
Apr 21, 2011
Last week at NAB, Laser Pacific colorist Lou Levinson dropped by Filmlight’s demo room to show reporters a quick...
Lowry’s Legacy: Toward a More Detailed Image
Feb 10, 2012
This Saturday, film restoration pioneer John Lowry was to receive a long overdue Scientific and Engineering Award from the...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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The 4th Hollywood Post Alliance Awards
Nov 13, 2009
For the fourth time, the HPA held its annual Awards event at the Skirball Center in the Santa Monica...
The Ugly Truth: DI at Company 3
Jul 10, 2009
The Ugly Truth, the movie starring Katherine Heigl and Gerard Butler, was directed by Robert Luketic and shot by...
Crank High Voltage: the DI at Company 3
Apr 17, 2009
Mark Neveldine and Brian Taylor have a reputation for being…shall we say, extreme. The thrills of Crank just got...
London's LipSync Post Meets with Hollywood Studios
Mar 9, 2009
Soho-based LipSync Post has been a reputation in post production, visual effects and digital intermediates over the 21 years...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Gamma & Density Intros RED workflow with 3cP
Jan 21, 2009
At an all-day seminar near Universal Studios, Gamma & Density introduced the use of its 3cP color management system...
