Filmmore Colorist Martin Klein on Western Thriller Brimstone
Mar 16, 2017
Brimstone — a brutal drama in four parts set in the American West — is the first English-language film from...
Baselight Says There’s a Better Way to Color Than Lift/Gamma/Gain
Mar 30, 2016
FilmLight has announced some details of its upcoming Baselight 5.0 software, including a departure from color-grading norms. Citing a...
Q&A: FilmLight CEO Wolfgang Lempp on Baselight’s New Base Grade
Apr 20, 2016
FilmLight got the attention of color-graders when it announced Base Grade, a new control set that moves Baselight's focus...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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Finishing House of Cards for 4K Streaming
Sep 17, 2015
At the moment (and for the foreseeable future), your favorite TV shows are being broadcast through your cable, satellite...
Charting a Course for an Avid 4K Finish
May 13, 2015
In an effort to protect some of the last wild places in the world's oceans, National Geographic launched Pristine...
Academy Launches ACES 1.0, Sets NAB Outreach
Apr 1, 2015
The Academy Color Encoding System (ACES), designed to preserve the creative decisions made by filmmakers throughout the production, post-production...
Dolby Vision HDR System Gains Traction with SGO Mistika Support
Apr 29, 2014
4K was the buzzword at NAB, but even as the industry marched toward ever-higher resolution for acquisition, Dolby Laboratories...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Under the Skin’s Scarlett Johansson Hits the Streets with the One-cam
Apr 23, 2014
Under the Skin, a science-fiction arthouse film that just crossed the $1 million mark at the U.S. box-office, is...
