Cinematographer Rodrigo Prieto, ASC, AMC, Gives The Irishman His All
Jan 10, 2020
For its critical success, awards buzz, and technical breakthroughs revolving around the unique use of brand-new digital de-aging techniques...
A Few of His Favourite Things: Oscar-Nominated DP Robbie Ryan, BSC, ISC
Feb 14, 2019
Director Yorgos Lanthimos and cinematographer Robbie Ryan, BSC, ISC, had never worked together before shooting The Favourite, now headed toward...
Obsession: Joywave (Director’s Cut)
Nov 22, 2019
How did directors Laura Gorun, Cooper Roussel and Dimitri Basil make the dozens of fictional movies they imagined from scratch...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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Ten Fé: Won’t Happen
Oct 19, 2018
The guiding aesthetic for this new Ten Fé music video is nothing more complex or innovative than “that film...
Life Looks Better on Super 8
Jul 30, 2018
Andrew Saladino, aka The Royal Ocean Film Society, makes his case for the dreamy, timeless qualities of Super 8...
Boston Light & Sound Co-founder Chapin Cutler on Keeping 35mm Projectionists’ Skills Sharp
Oct 13, 2017
Founded by principals Larry Shaw and Chapin Cutler in 1977, Boston Light & Sound (BL&S) has spent the last...
Cinematographer Paul Cameron, ASC, on Shooting Westworld‘s Pilot on Film
Aug 18, 2017
Director of photography Paul Cameron, ASC, has amassed some memorable cinematic credits, from the early Gone in Sixty Seconds remake...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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NYC’s Harbor Picture Company on Coast-to-Coast 35mm Workflow for Todd Haynes’ Wonderstruck
May 30, 2017
New York’s Harbor Picture Company recently finished dailies and post-production on Wonderstruck, the new film from director Todd Haynes...
