Encore Hollywood’s Pankaj Bajpai on the Changing Culture of Post for Peak TV
Sep 21, 2017
As the era of Peak TV chugs along, it seems only to be gaining power, like a locomotive on...
AJA Ships FS-HDR Converter/Frame Sync for HDR and WCG Workflow
Sep 8, 2017
Catering to the growing base of users who need to perform HDR transforms as quickly and easily as 2K/4K...
Atomos Announces Monitor-Only Sumo19, New Firmware for HDR Delivery to YouTube
Sep 18, 2017
Atomos foregrounded HDR production at IBC, announcing a new, recorderless version of its 1200-nit Sumo19 production and studio monitor and...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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Believe the Hype: HDR Is the Real Deal
Aug 30, 2017
Professional shooters have long hoped for the day when what we see with our eye matches what we see...
Light Iron Colorist Ian Vertovec on GLOW and Getting a Mid-80s Film Look in HDR
Jul 25, 2017
The new Netflix hit series GLOW straddles a fine visual line. The show’s hook is a promotional gimmick dating...
Telling The Handmaid’s Tale with Dolby Vision
Jun 7, 2017
Airing on Hulu in the U.S. and Bravo in Canada, The Handmaid’s Tale is based on Margaret Atwood’s highly influential...
At NAB, ASC Looks at HDR and Preserving the Cinematographer’s Vision
Apr 26, 2017
Cinematographers on an ASC panel held earlier today at the Tiffen booth on the NAB show floor weren’t mincing...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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NAB 2017: Options Multiply in the Year of HDR
Apr 26, 2017
The future is bright at NAB this year, as everyone from camera manufacturers and display vendors to post-production software...
