2017 Sci-Tech Oscars: The Top 3 Most Important Technical Advances
Mar 17, 2017
This year’s winners of the Academy of Motion Picture Arts and Sciences’ Scientific and Technical Awards were extremely impressive,...
Oscar-Nominated VFX Supe Craig Hammack on Deepwater Horizon
Feb 21, 2017
Industrial Light & Magic’s Craig Hammack has received his first Oscar nomination for supervising the effects in Summit Entertainment’s...
ILM Senior VFX Supe John Knoll on Rogue One: A Star Wars Story
Feb 21, 2017
Chief Creative Officer and Senior Visual Effects Supervisor John Knoll joined Industrial Light & Magic in 1986. His first...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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VFX Supervisor Steve Emerson on Kubo and the Two Strings
Feb 17, 2017
The Oscar nomination for visual effects in Laika’s stop-frame animated film Kubo and the Two Strings is Steve Emerson’s...
DI Colorist Joe Gawler on the Thoughtful Sci-Fi Epic Arrival
Feb 15, 2017
Science-fiction movies about alien visitations aren't generally thought of as Oscar bait. But director Denis Villeneuve's SF film is...
Oscar-Nominated VFX Supervisor Rob Legato on The Jungle Book
Feb 14, 2017
Rob Legato’s visual effects Oscar nomination for The Jungle Book is his fourth. He has received two Oscars —...
Oscar-Nominated VFX Supervisor Stéphane Ceretti on Doctor Strange
Feb 9, 2017
With Doctor Strange, Stéphane Ceretti has received his second Oscar, BAFTA, and VES nominations; his first nominations were for leading...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Are Movies Shot on Film More Likely to Win Oscars?
Jan 27, 2017
Prestige pictures are helping keep film alive, Kodak argued this week in a statement noting that movies captured on...
