Telling The Handmaid’s Tale with Dolby Vision
Jun 7, 2017
Airing on Hulu in the U.S. and Bravo in Canada, The Handmaid’s Tale is based on Margaret Atwood’s highly influential...
Luma on Guardians of the Galaxy Vol. 2‘s Golden Environments — and Adam Warlock’s Cocoon Cameo
May 18, 2017
Ever marvel at the amount of effort that goes into those post-credits codas for Marvel movies? The biggest reveal...
How They Did It: Marvel Studios’ ACES Workflow for Guardians of the Galaxy Vol. 2
Jun 6, 2017
How did Marvel Studios ensure that the amazing, eye-popping visuals created by Guardians of the Galaxy Vol. 2 director...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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Graphic Design for VR: Introducing the Future in Five Episodes
May 16, 2017
Virtual reality studio Within is known for innovative collaborations with artists on a wide range of creative projects. But the...
Epic Rogue One Panel Lands at NAB
May 4, 2017
The room was filled close to capacity last week for an afternoon NAB Super Session, co-sponsored by the Motion...
ILM’s Stephen King on Kong: Skull Island and an Animator’s Evolution
Mar 31, 2017
In a stunning scene in Kong: Skull Island, a giant lizard-like creature attacks Kong. The two battle furiously. Kong is...
Filmmore Colorist Martin Klein on Western Thriller Brimstone
Mar 16, 2017
Brimstone — a brutal drama in four parts set in the American West — is the first English-language film from...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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ILM Senior VFX Supe John Knoll on Rogue One: A Star Wars Story
Feb 21, 2017
Chief Creative Officer and Senior Visual Effects Supervisor John Knoll joined Industrial Light & Magic in 1986. His first...
